The Slow Horses are on the run; abandoned by MI5 and thrown to the dogs. Lamb and Cartwright are on their own to find proof that Taverner orchestrated the Sons of Albion plot – whilst the rest of Slough House have to fend for themselves. Meanwhile; with the clock ticking closer to zero – or in this case, 6am and sunrise, the kidnappers are driving until they run out of fuel; unsure as to whether to follow through with their plan.
Like The Last Days of Ptolemy Grey, I’m starting to think Slow Horses was probably better off being a movie and I wonder if that’s going to be a problem with most of AppleTV+’s six-episode seasons as they do feel like they could have been trimmed to a tighter two hours. The six-episode count is starting to show its weight when episode five was essentially just the same broad structure as the one before; Cartwright breaks into somewhere and breaks out again, the Sons of Albion are still in the car, but there was enough entertainment at least about this to make this stage-setting episode worthwhile. We got to see more of the Slough House team interacting – which is when the show is at its best given the vibrant personalities that the series has to offer – and Lamb’s motivational speech telling them that he hated working with them all; only to correct Cartwright in that he actually meant it and it wasn’t motivational, was a lot of fun and oh-so-very Lamb, I feel like I know him as a character better than most leads by this point, but then – you could argue, is Lamb really a lead? He’s in so little of the series compared to Cartwright who might as well be the main character, but Lamb feels like such a well-formed presence that only someone like Gary Oldman can bring to the table. Will he follow Slow Horses to Season 2?
That’s the problem with having such a busy cast like this – Jack Lowden’s got the excellent Benediction, and they already had to take out Olivia Cooke so early on – the only major misstep of the series so far - filming the second season of Slow Horses around everyone’s availability is going to be a challenge unless they shot them back-to-back.
Mercifully the Sons of Albion storyline can only spend so long in the same car – I was starting to get a bit tired of it this episode as lively as the characters are – Curly is a right piece of work, able to pull off the Scorsese tonal-laughter switch between playing along and super deadly in a matter of minutes; Joe Pesci would be proud. But the gunshot left a mark – it felt inevitable that sooner or later Curly would snap; because Locke, Slow Horses isn’t – and now we have the stakes set for the sixth, and final episode, debuting tomorrow with all the pieces in play for a surely cracking final hour.