OUTSTANDING CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE: Watchmen – “This Extraordinary Being”
OUTSTANDING CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES: The Ranch
OUTSTANDING CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR): The Mandalorian, “Chapter 7: The Reckoning
OUTSTANDING CONTEMPORARY HAIRSTYLING: black-ish, “Hair Day”
OUTSTANDING FANTASY/SCI-FI COSTUMES: Watchmen, “It’s Summer And We’re Running Out of Ice”
OUTSTANDING MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES: One Day at a Time, “Boundaries”
OUTSTANDING PERIOD COSTUMES: The Crown, “Cri De Coeur”
OUTSTANDING PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC): The Marvelous Mrs. Maisel
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE): The Handmaid’s Tale, “Household”
OUTSTANDING PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR): The Mandalorian, “Chapter 1: The Mandalorian
OUTSTANDING PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL: Star Trek: Picard, “Absolute Candor”
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES: Succession – “This is Not for Fears”
OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE: Watchmen – “A God Walks into Abar”
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR): Stranger Things, “Chapter Eight: The Battle of Starcourt”
OUTSTANDING SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION: The Mandalorian, “Chapter 2: The Child”
OUTSTANDING SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION: The Mandalorian, “Chapter 1: The Mandalorian
OUTSTANDING SOUND MIXING FOR A LIMITED SERIES OR MOVIE: Watchmen, “This Extraordinary Being”
OUTSTANDING SPECIAL VISUAL EFFECTS: The Mandalorian, “Chapter 2: The Child”
OUTSTANDING SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE: Vikings, “The Best Laid Plans”
