Extended Promo
“Chapter Forty-Eight”— (9:00-10:00 p.m. ET) (Content Rating TBD) (HDTV)
IT’S NOT THAT SIMPLE – Jane (Gina Rodriguez) and Michael’s (Brett Dier) housewarming party in their new home hits a snag when they discover they are being evicted for not paying their rent. Rogelio (Jaime Camil) is still trying to break into American television, but needs some unusual help from Rafael (Justin Baldoni). Xo (Andrea Navedo) makes a new career choice, but Alba (Ivonne Coll) and Jane aren’t convinced this is the one for her. Meanwhile, “Petra” (Yael Grobglas) shocks Rafael with what she wants to do with her shares of the hotel. Melanie Mayron directed the episode written by Sarah Goldfinger & Jessica O’Toole & Amy Rardin (#304). Original airdate 11/7/2016.
IT’S NOT THAT SIMPLE – Jane (Gina Rodriguez) and Michael’s (Brett Dier) housewarming party in their new home hits a snag when they discover they are being evicted for not paying their rent. Rogelio (Jaime Camil) is still trying to break into American television, but needs some unusual help from Rafael (Justin Baldoni). Xo (Andrea Navedo) makes a new career choice, but Alba (Ivonne Coll) and Jane aren’t convinced this is the one for her. Meanwhile, “Petra” (Yael Grobglas) shocks Rafael with what she wants to do with her shares of the hotel. Melanie Mayron directed the episode written by Sarah Goldfinger & Jessica O’Toole & Amy Rardin (#304). Original airdate 11/7/2016.
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Promo & Interview
DEADLINE: Why did you decide that this — Season 3, Episode 3 — was the time for Jane to finally have sex?
URMAN: I knew it would be this year I knew it would be with Michael after he had recovered. There were no more stories we needed to tell, we played the Jane the Virgin card in its different iterations, pregnant virgin, virgin with a baby, married virgin, married virgin with a one-year son. We’d mined all the material that stems from that and felt that the story would stall if we didn’t move forward.
DEADLINE: Why did you decide to do use animation for the big second sex scene?
URMAN: We wanted to do something with magical realism, one of the things that make the show particularly specific. We are not competing with HBO or Netflix and we’re not going to show the real physicality of sex. I wanted Jane to have a private moment and have it be more about the feeling, what her expectations were.
URMAN: I knew it would be this year I knew it would be with Michael after he had recovered. There were no more stories we needed to tell, we played the Jane the Virgin card in its different iterations, pregnant virgin, virgin with a baby, married virgin, married virgin with a one-year son. We’d mined all the material that stems from that and felt that the story would stall if we didn’t move forward.
DEADLINE: Why did you decide to do use animation for the big second sex scene?
URMAN: We wanted to do something with magical realism, one of the things that make the show particularly specific. We are not competing with HBO or Netflix and we’re not going to show the real physicality of sex. I wanted Jane to have a private moment and have it be more about the feeling, what her expectations were.
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