Sneak Peeks
“Who’s Dead” – Annalise receives a tip about A.D.A. Atwood that leads to a heated confrontation with Nate. Meanwhile, the deadly events leading up to Annalise’s house fire reveal who’s under the sheet, on the winter finale of “How to Get Away with Murder,” THURSDAY, NOVEMBER 17 (10:00-11:00 p.m. EST), on the ABC Television Network.
“How to Get Away with Murder” stars Academy Award®-nominee Viola Davis as Professor Annalise Keating, Billy Brown as Detective Nate Lahey, Alfred Enoch as Wes Gibbins, Jack Falahee as Connor Walsh, Aja Naomi King as Michaela Pratt, Matt McGorry as Asher Millstone, Karla Souza as Laurel Castillo, Charlie Weber as Frank Delfino, Liza Weil as Bonnie Winterbottom and Conrad Ricamora as Oliver Hampton.
“Who’s Dead” was written by Michael Foley and directed by Bill D’Elia.
“How to Get Away with Murder” is created and executive produced by Pete Nowalk (“Scandal,” “Grey’s Anatomy”). Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Betsy Beers (“Scandal,” “Grey’s Anatomy”) and Bill D’Elia (“The Crazy Ones,” “Boston Legal”) also serve as executive producers. “How to Get Away with Murder” is produced by ABC Studios.
“How to Get Away with Murder” stars Academy Award®-nominee Viola Davis as Professor Annalise Keating, Billy Brown as Detective Nate Lahey, Alfred Enoch as Wes Gibbins, Jack Falahee as Connor Walsh, Aja Naomi King as Michaela Pratt, Matt McGorry as Asher Millstone, Karla Souza as Laurel Castillo, Charlie Weber as Frank Delfino, Liza Weil as Bonnie Winterbottom and Conrad Ricamora as Oliver Hampton.
“Who’s Dead” was written by Michael Foley and directed by Bill D’Elia.
“How to Get Away with Murder” is created and executive produced by Pete Nowalk (“Scandal,” “Grey’s Anatomy”). Shonda Rhimes (“Scandal,” “Grey’s Anatomy”), Betsy Beers (“Scandal,” “Grey’s Anatomy”) and Bill D’Elia (“The Crazy Ones,” “Boston Legal”) also serve as executive producers. “How to Get Away with Murder” is produced by ABC Studios.
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Promo & Post Mortem Interviews
Is Frank really willing to die for Annalise?
Charlie Weber: Always. He would die for Annalise or Bonnie. He was in a place where he almost wanted to be done. Obviously for anyone to be at that point, he was so low and so depressed and so alone that he was capable of anything.
You think he would've pulled the trigger had Bonnie not walked in?
Weber: I think so.
Charlie Weber: Always. He would die for Annalise or Bonnie. He was in a place where he almost wanted to be done. Obviously for anyone to be at that point, he was so low and so depressed and so alone that he was capable of anything.
You think he would've pulled the trigger had Bonnie not walked in?
Weber: I think so.
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TVLINE | Annalise essentially tries to call Frank’s bluff, saying his behavior is calculated just to make her feel guilty — a stance she does not accept. I wonder, though, is she onto something. Are Frank’s tears genuine?
Well, it’s definitely a ploy. He wants her to stop him. He wants her to want him to live. But he is willing to do it.
With Frank, you’re definitely seeing an emotionally stunted person falling back into horrible times that he’s experienced. But this is ten-fold. He found a place and a purpose — and now he has nothing. And he will do whatever it takes to get that back.
TVLINE | Including hiding in the closet of an innocent child’s bedroom — and seemingly pushing for the idea of eye-for-an-eye! Did you think Frank might kill that little girl?
Again, Frank is just so far gone. I’m starting to wonder if there’s any line he wouldn’t cross — with this instance being the ultimate line — so Annalise would realize he’d do anything for her. It was a very frightening scene.
Well, it’s definitely a ploy. He wants her to stop him. He wants her to want him to live. But he is willing to do it.
With Frank, you’re definitely seeing an emotionally stunted person falling back into horrible times that he’s experienced. But this is ten-fold. He found a place and a purpose — and now he has nothing. And he will do whatever it takes to get that back.
TVLINE | Including hiding in the closet of an innocent child’s bedroom — and seemingly pushing for the idea of eye-for-an-eye! Did you think Frank might kill that little girl?
Again, Frank is just so far gone. I’m starting to wonder if there’s any line he wouldn’t cross — with this instance being the ultimate line — so Annalise would realize he’d do anything for her. It was a very frightening scene.
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