Sneak Peek 2
Terry Matalas has shared a few photos via Twitter
Thanks to Ivan for the heads up.
MONDAY! @ToddStashwick & @Ayisha_Issa are back! #12MONKEYS pic.twitter.com/2h62gvpQ0H
— Terry Matalas (@TerryMatalas) July 9, 2016
MONDAY! Will Ramse finally get the Witness? @kirkacevedo #12MONKEYS pic.twitter.com/X82cTlWM4A
— Terry Matalas (@TerryMatalas) July 9, 2016
MONDAY! Face to face with the Witness in Titan? Or worse? #12MONKEYS pic.twitter.com/xaDwQATA6l
— Terry Matalas (@TerryMatalas) July 9, 2016
MONDAY! Cole and Cassie may be on their finale mission together... @AmandaSchull @AaronAStanford #12MONKEYS pic.twitter.com/y6gKq5B15D
— Terry Matalas (@TerryMatalas) July 9, 2016
MONDAY! If you miss this episode, someone is going to spoil it for you. Huge revelations, Titan & death. #12MONKEYS pic.twitter.com/YMEzYfJRJp
— Terry Matalas (@TerryMatalas) July 9, 2016
Sneak Peek
Thanks to Ivan for the heads up.
Promotional Photos
Promo & Interview
ENTERTAINMENT WEEKLY: What came with the decision to kill off future Jennifer?
TERRY MATALAS: It seemed like a pretty amazing time travel thing that I had never really seen before, for someone to be at their own deathbed. What really inspired me to go there was basically, what do you say to your younger self after you’ve lived an entire life? It’s probably pretty surprising.
If there was an orphan black amongst us, it’s definitely Emily Hampshire, so it seemed like there’s no better situation for it. And, at that point, you really came to love Old Jennifer. It was a way of killing off a character, but not killing off a character. Now you get to see how she became that woman. It still hurt you about as much. You didn’t want to see Jennifer die, but she did.
For me, I knew it would be an emotional thing. That last scene with Jennifer and Jennifer, it’s pretty heavy to talk about the choices you made in your life, where you made mistakes, and to tell yourself that you love yourself. It seemed like pretty amazing emotional territory. It was something we never looked back on; we knew we definitely wanted to do it.
Talk about writing that death scene. Jennifer is probably one of the few characters who could get away with saying, “I’m dying now,” and not have it be over the top.
There were three writers who wrote that scene: Me, Sean [Tretta], and Richard Robbins. We all added a little something. For me, it was a lot of the “Hello, egg, I’m chicken,” “May I have a moment to myself?” That kind of thing. Richard Robbins got into the heart of, “Look how pretty I was,” and then Sean brought it home with, “I love you.” I knew the last line was, “I’m dying now,” because in episode 2, she asked the question of Pallid Man, “Am I dying now?” and he says, “Not today, Jennifer.” If Jennifer is going to have a last line, it’s just like, “OK, and now here’s the part where I die.” It just felt like Jennifer. It was this great cathartic thing for all of our writers to be apart of, to put a little bit of ourselves in that scene. I’m really proud of it.
TERRY MATALAS: It seemed like a pretty amazing time travel thing that I had never really seen before, for someone to be at their own deathbed. What really inspired me to go there was basically, what do you say to your younger self after you’ve lived an entire life? It’s probably pretty surprising.
If there was an orphan black amongst us, it’s definitely Emily Hampshire, so it seemed like there’s no better situation for it. And, at that point, you really came to love Old Jennifer. It was a way of killing off a character, but not killing off a character. Now you get to see how she became that woman. It still hurt you about as much. You didn’t want to see Jennifer die, but she did.
For me, I knew it would be an emotional thing. That last scene with Jennifer and Jennifer, it’s pretty heavy to talk about the choices you made in your life, where you made mistakes, and to tell yourself that you love yourself. It seemed like pretty amazing emotional territory. It was something we never looked back on; we knew we definitely wanted to do it.
Talk about writing that death scene. Jennifer is probably one of the few characters who could get away with saying, “I’m dying now,” and not have it be over the top.
There were three writers who wrote that scene: Me, Sean [Tretta], and Richard Robbins. We all added a little something. For me, it was a lot of the “Hello, egg, I’m chicken,” “May I have a moment to myself?” That kind of thing. Richard Robbins got into the heart of, “Look how pretty I was,” and then Sean brought it home with, “I love you.” I knew the last line was, “I’m dying now,” because in episode 2, she asked the question of Pallid Man, “Am I dying now?” and he says, “Not today, Jennifer.” If Jennifer is going to have a last line, it’s just like, “OK, and now here’s the part where I die.” It just felt like Jennifer. It was this great cathartic thing for all of our writers to be apart of, to put a little bit of ourselves in that scene. I’m really proud of it.
Source:
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