Also heres a lot of awesome BTS Photos!
One big, crazy, hysterical, family #AgentCarter memories #HayleyAtwell @dominiccoop @ChadMMurray @reggie_austin pic.twitter.com/R5nZGLIkcY
— Geoffrey Colo (@GeoffreyColo) March 2, 2016
I'll say goodnight with what has to be the best picture of the season. #AgentCarter pic.twitter.com/pdouigMbgr
— Eric Pearson (@ShimmyBluejeans) March 2, 2016
End of season 2 #AgentCarter Here is Hayley and @EnverGjokaj on the last day of shooting pic.twitter.com/vli1uK8148
— Eric Pearson (@ShimmyBluejeans) March 2, 2016
Anyone having fun with our #AgentCarter season finale? pic.twitter.com/FHAPVlUz2g
— Eric Pearson (@ShimmyBluejeans) March 2, 2016
Welcome back Howard Claus. #AgentCarter pic.twitter.com/Oadnypw9Rj
— Eric Pearson (@ShimmyBluejeans) March 2, 2016
Pass along if you think @EnverGjokaj has a chiseled jaw. #AgentCarter pic.twitter.com/tJkzJMm1NK
— Eric Pearson (@ShimmyBluejeans) March 2, 2016
When we don't have @dominiccoop, we have our incredible #stunt coordinator put on a stache and werk it. #AgentCarter pic.twitter.com/M7fVWsn19a
— Wendy Willming (@wendywillming) March 2, 2016
ENTERTAINMENT WEEKLY: How do you feel about Peggy and Sousa finally making a go of it?
HAYLEY ATWELL: I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.
Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.
HAYLEY ATWELL: I’m so happy! I love Sousa! I think what makes it work is that she saw something in him that’s the same quality she found attractive in Skinny Steve (Chris Evans), which was a man with great morals dealing with very real physical hardships. In the workplace, her gender is considered a disability. Sousa has a disability from the war, and therefore has to deal with that limitation. Because he deals with it with such dignity in the way that Skinny Steve did, that’s what attracts her to people. I think it’s inevitable that they end up together. He’s not intimidated by her. He respects her and admires her, and supports how brilliant she is and how good she is at her job, and is not threatened by that. I think that’s a bloody hard thing for men in the 1940s to not be intimidated by. He’s pretty special in that regard.
Do you think Sousa could be the husband that Peggy was talking about in Captain America: Winter Soldier?
I don’t know, because she says that Captain America saved her husband. It could be that what we don’t know yet is that in the war, at one point, Steve Rogers did save Sousa, and Sousa wasn’t telling me or didn’t know it at the time. Or they embark on a fabulous love affair, but then they realize they’re really bad at domestic chores and that they can’t compromise on who washes the dishes and they decide to go their separate ways. That’s a possibility, too. I like to think that this is the start to a beautiful relationship.
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Why end the season with that cliffhanger?
Fazekas: What I really love about Thompson's arc for the season is it really is a great journey for him. He, as we have said a lot, puts his ambition and his ego over other things, over sometimes doing the right thing, and he often doesn't care who gets hurt or who is upset about it. And as we've established with Vernon Masters [Kurtwood Smith], he's been trained to do that. This is his mentor, this is somebody who was a like a friend of his father's. He was trained to be that guy. In great part because of his relationship with Peggy and his experience at finding out what kind of person Vernon Masters really was, he actually decides to do the right thing in the end at great cost to himself. It symbolizes how much he had to sacrifice to do the right thing.
It was extra heartbreaking because Thompson finally redeemed himself and got his ego in check by then, and that scene where he actually got everyone's dinner orders was proof of that.
Fazekas: Right, we wanted to call back to the first season with that scene. His arc became organic. We didn't start off this season going, "And by the end, Thompson is going to get shot." It felt organic from the story to end there. Even in the last episode, he still tried to kill everyone because in his estimation, it was the right thing to do, even if it wasn't morally right. He made a hard choice for the greater good. So we didn't completely change his character. He did what he thought had to be done, even if it wasn't totally right.
Fazekas: What I really love about Thompson's arc for the season is it really is a great journey for him. He, as we have said a lot, puts his ambition and his ego over other things, over sometimes doing the right thing, and he often doesn't care who gets hurt or who is upset about it. And as we've established with Vernon Masters [Kurtwood Smith], he's been trained to do that. This is his mentor, this is somebody who was a like a friend of his father's. He was trained to be that guy. In great part because of his relationship with Peggy and his experience at finding out what kind of person Vernon Masters really was, he actually decides to do the right thing in the end at great cost to himself. It symbolizes how much he had to sacrifice to do the right thing.
It was extra heartbreaking because Thompson finally redeemed himself and got his ego in check by then, and that scene where he actually got everyone's dinner orders was proof of that.
Fazekas: Right, we wanted to call back to the first season with that scene. His arc became organic. We didn't start off this season going, "And by the end, Thompson is going to get shot." It felt organic from the story to end there. Even in the last episode, he still tried to kill everyone because in his estimation, it was the right thing to do, even if it wasn't morally right. He made a hard choice for the greater good. So we didn't completely change his character. He did what he thought had to be done, even if it wasn't totally right.
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How do you feel about the show’s chances for a third season?
FAZEKAS: Bad. People have to watch the show. While I would love to see it continue on, it’s a bummer — a bummer for all of us, cast included. Everybody loves the job, everybody loves working together. I would love to see it live on, even if it’s in some other form, digital or whatever. I doubt that there’s a Netflix play for it. We’re not really involved in those decisions anyway. At the end of the day, people have to watch the show.
Would you consider a way to wrap up the story somehow?
FAZEKAS: Sure. It’s interesting because that episode feels like — except for the fact that we plugged Thompson — a nice little conclusion, which wasn’t the intent. If they wanted us to do anything, we would do it. We absolutely love it.
FAZEKAS: Bad. People have to watch the show. While I would love to see it continue on, it’s a bummer — a bummer for all of us, cast included. Everybody loves the job, everybody loves working together. I would love to see it live on, even if it’s in some other form, digital or whatever. I doubt that there’s a Netflix play for it. We’re not really involved in those decisions anyway. At the end of the day, people have to watch the show.
Would you consider a way to wrap up the story somehow?
FAZEKAS: Sure. It’s interesting because that episode feels like — except for the fact that we plugged Thompson — a nice little conclusion, which wasn’t the intent. If they wanted us to do anything, we would do it. We absolutely love it.
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