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Frequency Reboot & Untitled Paranormal Drama from Kevin Williamson Ordered to Pilot by The CW

Jan 30, 2016

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Riverdale, Mars Drama, Transylvania & No Tomorrow Receive Pilot Order by The CW

Update:

There will be more to follow tonight, and I hear the list includes Greg Berlanti’s Riverdale, Transylvania, Colony and hourlong comedy No Tomorrow. I will post official confirmation on those when it is available.
Source:



The CW threw its hat into the pilot ring late Friday, picking up a drama from Kevin Williamson and a reboot of feature film Frequency.

First, Williamson's untitled paranormal drama centers on a young woman who seeks help from a parapsychologist when she begins to experience paranormal phenomena. Williamson will pen the script and exec produce alongside David Nutter who will direct the pilot. Lauren Wagner will produce. The drama hails from Williamson's Warner Bros. Television-based Outerbanks Entertainment banner.

Frequency, meanwhile, was originally developed for NBC during the 2014-15 season, drama moved to The CW earlier this year. The remake of the 2000 sci-fi thriller hails from Supernatural showrunner Jeremy Carver, who will pen the script for the Warner Bros. Television drama (where he is under an overall deal). Feature film writer Toby Emmerich is on board to exec produce alongside Carver, John Rickard and Lin Pictures' Dan Lin and Jennifer Gwartz.

The CW's take is described as a reimagining of the New Line Cinema film and flips the lead's gender. It revolves around a female police detective in 2016 who discovers she is able to speak via a ham radio with her estranged father (also a detective) who died in 1996. They forge a new relationship while working together on an unresolved murder case, but unintended consequences of the "butterfly effect" wreak havoc in the present day.

Emmerich's feature took place in New York in 1999 and starred Jim Caviezel as a homicide detective who strangely makes contact with his late father (Dennis Quaid) exactly 30 years in the past on the day before his death. The film grossed $68 million worldwide on a budget of $31 million.