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Arrow 2.16 "Suicide Squad" Review: It's Complicated

Mar 26, 2014

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    Arrow, “Suicide Squad,” was written by the team of Keto Shimizu and Bryan Q Miller and directed by Larry Teng. Shimizu last collaborated with Jake Coburn on “Blast Radius,” the episode that introduced Shrapnel (Sean Maher) who also appears – all too briefly – in this episode. This is Miller’s first episode this season. This is Teng’s first time behind the camera for Arrow, but his other credits include Criminal Minds, Elementary, and Hawaii Five-O, so he knows his way around an action packed series.

    At the end of the episode, Lyla (Audrey Marie Anderson) tells Diggle (David Ramsey) that the world is a complicated place. I immediately thought of the Facebook relationship status of “It’s Complicated.” That pretty much describes all of the relationships on the show – Oliver with Sara, Felicity, and Laurel; Diggle and Lyla; Diggle and Deadshot; Oliver with Waller; Oliver with Slade and Moira. We see both Oliver and Diggle struggle with navigating those relationships.

    The episode opens with Oliver (Stephen Amell) dreaming of Shado (Celina Jade). Seeing Slade (Manu Bennett) again has clearly dredged up Oliver’s feelings of guilt over Shado’s death. Oliver acts out of character and almost out of control in his desperation to protect those close to him. He doesn’t follow “brotherhood” etiquette and forces Alexi (Eugene Lipinski) to find Slade for him. This results in Slade killing Alexi and Oliver losing a valuable ally. I've mentioned before how much I like Lipinski as an actor, so I'm quite sad to see him go.   

    This episode actually felt a little bit like filler as we only see Slade from a distance. His threat to Oliver is what’s now driving Oliver. He tries to push Sara (Caity Lotz) away. Even Laurel (Katie Cassidy) tells him to let Sara in. After finding Alexi’s body, Oliver realizes that Slade is too far ahead of him. He finally goes to Sara and asks for her help. She knows she’s in danger regardless, but she also knows that she isn’t the same person Slade knew on the Island either. She is, after all, Black Canary, a member of the League of Assassins. Amell and Lotz are both fantastic in this scene.

    It was great to see them start to redeem Laurel. However, it did seem as if she’s made an amazingly fast about face. After such a long descent, this seemed a bit abrupt – welcome, but abrupt.

    The flashbacks in this episode feature Diggle and Lyla and their meeting in Afghanistan. We also get a bonus appearance of Ben Browder as their commanding officer Ted Gaynor. Lyla proves to be a more than competent soldier, but her kindness to the women prisoners pays off in the exposure of terrorist Qadir (Lee Majdoub). Diggle was as incorruptible as always.

    Naturally, Diggle is consumed with guilt after he is forced to kill a child soldier. Lyla, in a foreshadowing of their differing outlooks, tells him to shrug it off. She is more pragmatic than he is. Yet, it’s Diggle’s influence that has her questioning the ruthlessness of Waller’s command. Lyla points out to Diggle that she sees the world as it is, not how she wants it to be. Lyla also points out that they both live in the grey. We know that that continues to bother Diggle on some level. After all, he was the one to insist that Oliver do more for Starling City than just seek revenge. She tells Diggle he’s rigid. Diggle points out that when they talk, they tend to get divorced.

    I’m betting comic fans probably caught more of the easter eggs in this episode than I did, but the biggest one is likely the Ostrander Hotel. John Ostrander created the modern Suicide Squad. When Waller (Cynthia Addai-Robinson) tells Lyla that she needn’t worry, “they’ve all availed themselves of the Ostrander suite,” it’s a nice shout out to the fact that most of the characters in the comics rotated in and out – being featured in other series as well. Bronze Tiger (Michael Jai White) and Deadshot  (Michael Rowe) were permanent members along with director Amanda Waller. As Lyla and Diggle are being introduced to the team, we hear a demented female voice asking if they need counselling as she is a trained therapist. It seems likely that the woman in the cell is Harley Quinn, former Arkham Asylum psychiatrist who fell in love with the Joker. Quinn (Tara Strong) is actually listed in the credits.

    I liked that we got to see more of Deadshot, in particular. Ramsey and Rowe are both fantastic in the scene in which Deadshot talks about his daughter. I liked that the episode showed Diggle progress from outrage that Deadshot, who killed his brother, was being let out of prison, to finding a way to see him as human, to rescuing him. Deadshot is ready to die – to go out doing something honorable. Diggle uses Zoe, Deadshot’s daughter, to get him to leave.

    In the end, Diggle can’t abide by Waller’s callous treatment of the prisoners. Lyla simply accepts the bombs in their heads as the necessity of having a way to insure their cooperation. However, the plot falls apart at the end. When they go in, Waller says they just need to get eyes on the nerve gas, but the mission morphs into Deadshot needing to bring the nerve gas out in his pocket. They use the bomb in his head to target the gas. This, of course, means that an entire house of innocent people – there for a benefit will die – needlessly. And why not have Deadshot simply plant a GPS in the room? They are able to clean out the mansion with a seal team anyway.

    Lyla is obviously having doubts about Waller and her mission. Anderson is great in this episode and I’m happy to see her back. Diggle points out that Deadshot showed more character than Waller. He also says he’s only sure of black and white – he doesn’t like the shades of grey. But he does say he doesn’t want to lose her again. In the final flashback, Lyla tells Diggle that the world is a complicated place. She also tells him that when a kid is shooting at him, he’s not a kid.

    We see Moira (Susanna Thompson) stumping for mayor and supporting an after school swim program because her kids loved swimming. Sara says she thought he hated swimming and he says he did and that his “mother sometimes enjoys a casual relationship with the truth.” He thanks Sara for being there for him, and promises that he’s going to stop doing that. Laurel invites him to dinner with them, after he also thanks her for helping him. He says that he can’t because he has to visit an “old friend.”

    Oliver goes to Waller and tells her that Slade is alive. Waller and Oliver clearly have a history. She says that Oliver killed Slade. Waller reveals that A.R.G.U.S. has been tracking a new mercenary and they call him Deathstroke. It’s clearly become a very complicated world for Oliver.

    This episode gave us some great backstory on Diggle and Lyla, as well as expanding the universe to include the Suicide Squad now in addition to the League of Assassins. I do feel that at times the universe may be getting too big. I’d like to see more of Bronze Tiger, for example. We didn’t see anything of Roy (Colton Haynes) or Thea (Willa Holland) – though she was at Moira’s press conference.

    I suspect we will have to wait to see more of the Suicide Squad, though it is possible Waller will deploy them again to help defeat Slade. We also saw very little of Felicity (Emily Bett Rickards). We do see that she’s pretty zen with the potential for Slade to come after her. I was a little surprised that she didn’t have any real insights into what Oliver was feeling as she is usually the first to do so and call him on it.

    I was very excited for this episode, but found myself a bit disappointed by it because of the plot holes in the mission and the overwhelming number of characters. What did you think of the episode? Do you want more Suicide Squad? Do you think Waller will be a trustworthy ally? Do you think Diggle and Lyla will be able to make it work? Let me know your thoughts in the comments!

27 comments:

  1. Well idt Oliver is "struggling" with his relationship with Felicity. Not at all. If Oliver is struggling with anybody's relationship it's his with Thea. (and the other people, excluding Felicity). when Ollie tells Thea about her real background. i'll feel bad

    And thank you!! Geez. i don't buy Laurel's "act" for one minute! i mean she wants to go along the raod to recovery. cool. More power to you. BUT u've been mad over this crap for the same crap. Then all of a sudden Ollie give you a tough love speech, you go to AA for what a month?? And it's all rainbows and puppy dogs. "You wanna come to dinner with us?"don't push Sara away Ollie." blah blah blah Give me a break! C'mon writers at least make it believable. Insread of saying u made the decision with a coin.


    Other then that. i enjoyed this episode a lot. And was also surprised that Felicity was so nonchalant about Slade being a threat to her. Guess she was really enjoyng her day off. lol

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  2. This episode further proved that they have NO IDEA how to write Laurel. She's not a realistic person, she's... something that changes every 5 minutes according to the plot's needs. Lemme get this straight, after a couple of weeks of attending AA meetings, Laurel went from throwing a glass at her sister who had just turned out to be alive after 6 years (and blaming her for every single thing that was wrong with Laurel's life) to giving relationship advice to said sister and the guy who cheated on Laurel with her?! What. The. F*CK! That's some awesome AA group, I'll say. LMAO.

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  3. They shouldn't have introduced Slade in Starling city at the end of 209 Three Ghosts. They should have stopped at the mask wearing shot. By introducing him that early and at mid season finale they gave us hope that after returning from hiatus it will be all about war between Slade and Oliver. Instead we get Lance drama, Oliver/Sara relationship, missing Roy and filler episode after filler episode. They should have shown Slade in Starling city only at the end of Time of Death when Oliver sees him at his home.


    What has Slade actually done after 209? The creators of this show is so much interested in pleasing comic book fans they are loosing continuity and plot. As much as I like Suicide Squad episode and I am happy to see Digg get his due, I want to scream at the screen just get to the point. Why introduce a villain if he is going to be a ghost? Next episode is Helena's return simply so that they can give the episode title Birds of Prey and have Huntress and BC on the screen together.

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  4. I have always been vocal about my dislike for the relationship between Oliver/Sara. But their scene at the lair where they talk and decide to face Slade together was very well written and picturised. My main issue with the break up/make up of Oliver/Sara this episode is the fact that they did this only to pitch Laurel and her "selflessness" (They did this break up/make up dance already with Thea and Roy once this season).

    They are simply using Sara at this point to improve Laurel. Sara came back to Starling city to show how far Laurel has gone down the drain. They made Oliver and Sara start a relationship with no build up so that they can go to that dinner and Laurel can get an intervention (They also did this so comic book fans can be happy of GA/BC hook up). Now they made Oliver/Sara break up so that Laurel can show her improvement even though it is unbelievable as hell. One week therapy and she is all happy and giving relationship advise. Really. I was laughing out loud hearing Laurel say to Oliver I know you more than anyone else. They are not giving Sara any depth after returning to Starling city. We don't see her interacting or making new friendships. I seriously fear for Sara's life now.

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  5. LOL! Not that I don't want Laurel to get to this place, but yeah. Maybe they are thinking, well she got addicted pretty quickly, so she can get sober really quickly... um. no. Laurel has been the first major stumble by this team. That said, this IS the Laurel that I want - and there are some pretty bad ass pics of her coming up... If they are going to kill her off, they have to make us love her again pretty quickly...

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  6. I only mentioned those who we see in the episode. I think that Oliver is struggling with the danger he puts people in who are close to him. I think he is struggling more with the secret than with his relationship with Thea tbh,

    It's almost as if the writers thought, well, she got addicted really quickly, she can get over it really quickly. Personally, I realize addiction runs in families, but I never bought that Laurel, after watching her father, would lose control like that. That said, this IS the Laurel I've been wanting back....

    I think Felicity has shown a lot of growth and acceptance of the danger that this life puts her in - after all, she does now have her own scar!

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  7. If it's any consolation, Sara is still filming... I think that they have given Sara depth. The problem at this point is the cast of 1000s. There is simply no time to give everyone screen time. I want to see more of her interaction with Sin for example. We have seen her with Roy helping him train after all. She has really just come back, so I see her trying to find her way in normal society as Oliver did when he first came back. Remember the only person he could really open up to was a fellow soldier - Diggle - who would somewhat understand.

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  8. I think you just proved why they are doing it! You are on the edge of your seat waiting for this confrontation. It's exactly the same thing that is happening with Oliver. Waiting for the hammer to fall can be even more excruciating than the actual event. Oliver will be so strung out and nervous that he will make mistakes as he did tonight - he lost a valuable ally in Alexi. I'm looking forward to tonight ONLY to see Sara kick Helena's a** because I loathe the character - please kill her off!!

    Two other things to consider. It is really, really hard to plot a series over 23 episodes - that's a lot of time to fill. If you wait too long to introduce the big bad, you run the risk of looking like you pulled him/her out of a hat. But it is really hard to keep the tension up for that long. Secondly, the creators aren't writing nearly as many episodes this season, and I think it shows in the looser story telling/plotting.

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  9. Given how quickly it came and went, it now seems even stupider that the drug addiction was supposedly Laurel's "crucible" and will result in her becoming the Canary. Seriously, a few months of popping pills because you blame the entire world but yourself for your problems transforms one into a superhero(ine)? I guess it's a wonder there aren't lots of people running around in tights fighting crime. LOL.
    A lot of people say the suffering Laurel went through, even when you add the addiction on top of everything else, doesn't come close to the hell that turned Oliver and Sara into vigilantes, Maybe that's true but it's not even my problem. It's not strictly about how much one suffers. The point is that Oliver and Sara matured because of what happened to them, they're no longer the spoiled selfish kids that got on that boat but can see a bigger picture than themselves (their behavir in 2x14 aside... ew). They toughened mentally and physically to become who they are now. For the life of me I have no idea how being a junkie/alcoholic for a few months moves Laurel closer to becoming BC... I guess she was finally taken down a few pegs, which is crucial since her arrogance, pride and self-righteousness were really the character's undoing, but as we discussed the transition happened awfully quickly. So really, if we're fated to lose Sara so Laurel can put on the figurative fishnets (which: NO NO NO NO...), I have little faith that it's going to be handled believably. They've had quite a few chances to show realistic character growth for Laurel and they haven't.

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  10. Thank You!! i swear i thought i was the only one who saw this crap. Through the entire episode, with this totally forced, back and forth "triangle" that is seriously non-existant. B/c TBH, if given the chance, i think Oliver would choose Sara again over Laurel. I really do. I'm not saying this to be a bitch, or to express my dislike/hatred for Laurel even more. I'm basing this on, what we've seen so far. I truly believe he has just a TAD bit more feelings for Sara than he does Laurel.

    But anyways, those scenes where Sara/Laurel would talk then Ollie walks in, and Laurel stares from a far, then "politely" leaves to give Sara/Oliver some alone time. Then again Sara leaves the room, and Oliver/Laurel talk it out. Then Sara/Oliver reunite. But she's at the bar or w/e, and Laurel goes to Ollie asking if he wants to come to dinner?!! Omg all that shit was ridiculous. The whole time the writers were trying to build up drama for all that, when in actuality, they created a COMEDY. That was the worst attempt i've ever scene with a drama ever. I mean was it really necessary for one to leave the room every time Oliver entered the room?? If Laurel was so "cured and healthy" with Sara/Oliver, why was it so impossible to have 3 in the room altogether interacting?? Like you gotta be F***ING Kiddin me?? That was so cheesy.

    And they looked like puppets during it. It was like they weren't acting at all. Just walking around til the director said "go". I mean they might as well just have filmed the marker, so we could literally see where they were SUPPOSED to stand. Ugh! it was a utter waste of time. And Laurel was sooo not needed in this episode for that crap. "i know you then mostly anyone else." i swear i just rolled my eyes with that one. It was so fake/forced to make Laurel seem redeemable. Honestly, if i were KC, i'd be pissed as an actress. But i guess she's just going with the flow so she can stay on the show longer. If i were being written this badly, i'd be GLAD that they killed me off. Just as long as they made my death scene really badass. LOL Not too over the top, just make it look good. = p

    To be fair, IDT GA/BC needed build up. Their relationship wasn't forced. They already had years of history. To me, them hooking up was more, "ok we're already hated, we shouldn't be together, and after years of not being together, to do the right thing by learning from our first mistake, i've realized that we're screwed either way, so i still love you, and let's do this." LOL believe me i'm a GA/BC comic fan. I was not happy with their hook up. Not in the least. (It took me awhile to adjust. B/c i've always liked them as Crime fighting Partners. Though i love them both as crime partners/lovers/married in the comics but once in a blue they have these moments that are hard to ignore) But i get it. I get their need for one another. I get them needed solace. I get it.

    As for Sara not showing depth, i agree. I think, character/personality wise by trying to make her look good, they made her look bad, JUST so they could make someone else, (that the majority of fans have hated since the beginning) look good. And i don't feel that's right. I think it's pretty messed up is what i think. And honestly, i think we'll get more of "what makes Sara tick" when we get more of Sin. I adore their scenes together and i'm really looking for more of it. Past and Present.

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  11. That's my point. He's struggling with the secret, thus he's struggling with Thea. He's lying to her, (yes he's been lying to her, but that's on a whole other level). Kinda dodging her when they're in the same room together. He looks at her differently now. Granted it's not her fault. But every time he looks at her now, he sees Malcolm Merlyn, not Thea Queen. He's doing all this to protect her from being destroyed, but when the truth comes out, Thea will feel betrayed, and to her, she's gonna think, Oliver was protecting their mother over her. It won't be pretty. and i'll feel really bad for both of them.

    I think this is the Laurel everybody (well most) wanted back. But it's wayyy too quick, and it's making it look bad, at least in my eyes. It's like she took some happy pill, took a trip to pleasantville, got laid by Bud or Skip or both, came back and everything was all raindrops on roses and whiskers on kittens. Gimme a break!! That's not recovery. Especially in 2-3 weeks. You know what i liked? I liked her, AA Hard Truth line. That i appreciated. Everything else she said after that...no way.

    Oh Felicity....that is all. lol = p

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  12. This episode confused me a bit because of so many characters at one place. I am not familiar with the comics so maybe that is the reason I found it difficult to keep track. This review helped me put a lot of things into perspective. The episode didn't do much for the story but focused more on how these events were affecting the psyche of the characters, specially Oliver. And it was pleasantly surprising to see Diggle seeing the grey in Deadshot. I know I couldn't do that for someone who murdered my brother.


    Can someone please clear out how Diggle got involved in the suicide squad in the first place though? I couldn't quite follow that.

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  13. Lack of Andrew Kreisberg and Greg Berlanti as they are focusing on Flash is really reflecting on the show. There is something called making the audience on the edge of their seat and making their patience run out. Last season they revealed Malcolm around the same time but the second half of season 1 for all its triangle drama never felt this unfocused and choppy. In fact there was a flow to the show which is lacking this half of the season. I am waiting for 218 to be over. They said it is the end of this leg of episodes. I have high hopes for last six episodes.


    I am sure I will enjoy this episode as well as I enjoyed SS. After all its chick fight and that too between Oliver's girl friends. It will be lot of fun. But the way they are neglecting Roy, Thea and Moira.. grr.. I am giving them the side eye

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  14. It was the same for Tommy last season. Oliver and Tommy will be on the scene, Laurel comes and Tommy will leave or Laurel and Tommy will be talking Oliver comes Tommy leaves. The writers can't write romance at all and they suck at triangles. They should just stop.

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  15. They had enough time to give her more depth imo. And it is not because of lack of screen time. From HttD on wards after Oliver, Sara is the one with most screen time except last episode where Diggle got some well deserved time. My problem is where is she shown struggling to fit in. Oliver was questioned every step of the way by different people last season. In Sara's case she is not even reprimanded by her parents for that god aweful dinner fiasco. Instead Laurel is painted the bad guy. She easily got the job as the bartender so that they can show this episode Laurel, a lawyer struggling to find a job. A vigilante bartending a club which opens at night is so ridiculous. She didn't train Roy in that scene. He was shooting Arrows and she just commented Oliver made it look easy. But at least that was one scene.

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  16. I didn't even realize it last season. But now that you bring it up....LOL. Now i do. But he's dead, so technically they did stop. LMAO (I'm so bad).

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  17. Very well said! Agree!

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  18. Hmmm. I'll have to watch Oliver's reactions to Thea more closely, but in the last episode, he was mostly so distracted by Slade, I don't think you can draw conclusions - he didn't want Thea there because he was afraid for her safety.

    I agree about Laurel. And I did appreciate the AA line. Of course, with her A-personality, it would be just like her to excel at that "program" too....

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  19. Yep. That's the big difference this year, so that's where I'm looking.

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  20. They recruited Diggle because he had the bond with Qadir because Diggle saved him in the flashbacks. They used Diggle because it would be easier for Diggle to get close to him and get them in to where the nerve gas was.


    I'm glad the review helped to clarify the episode for you! It was nice to see some of the characters back who we've only seen a bit of up to now anyway - but I also agree that it made things confusing. I think this episode was a bit of filler for us to get more nervous about Slade's next move - just the way Oliver is...

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  21. I agree with that. The Slade reveal in 2.09 was a little more dull than it could have been (and than the music suggested). You heard his voice and saw the back of his head before even seeing him. Ruined the reveal. If they hadn't done that, and instead they had just had that scene at the end of 2.14 as it was (that's very crucial, would've had to have been exactly as it was anyway) (and not show him in 2.15 promo images), I would still be shocked over it - the episode aired four weeks ago.

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  22. He, he who Oliver? He didn't want Thea where?

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  23. At least they are consistent in writing Laurel badly. LOL. I loved season 1 Arrow because they had really great female characters. And when this season Sara was introduced I cheered. One more bad ass female character. But now they completely neglected and ruined Laurel (Apart from the love story I liked her character in season 1), fridged Shado so that Slade can be obsessed about her, Felicity is defined by her crush on Oliver, Sara even with all the screen time is blatantly used as a plot device to improve Laurel (they are not giving her any attachments in present day Starling City), Thea is hardly there. I am satisfied with Moira even though the Mayor candidacy is hard to believe. I sincerely wish next season they concentrate more on a cohesive story and not on giving comic book easter eggs and shipper friendly scenes.

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  24. If they really want us to believe Laurel as BC they have to take atleast 3 seasons slowly integrating her into Team Arrow. The best thing for Laurel now would be to be a liason between the legal system and Arrow. But if the do that then Quentin will have no relevence. What they need to do now is show her helping people and not dole out relationship advise.


    Are all the writers in Arrow exclusive for CW or they write for other networks also. Does the network insist on such crappy triangles or it is all the writers? I have seen every one blame the love triangle situation to the show being on CW. What I don't get is every other network is able to write action shows without melodramatic love triangles then why can't Arrow?

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  25. Oliver didn't want Thea anywhere near Thea at the Queen mansion.

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  26. Oh Ok. Yeah that. That was understandable.

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  27. Ah, got it! Thanks.


    Ya, I've enjoyed all these characters before but having them all in one episode was a bit overwhelming. Slade is really taking a toll of Oliver and him being scared means stakes are really high!

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