The State of Broadcast Networks- Part II- FOX and ABC
15 Aug 2013
Bones Cancelled Shows Glee Once Upon A Time Revenge Scandal The Following The Mindy Project The New Girl The SimpsonsYou can check out part I clicking right here
Hello everybody! And welcome to the second part of “The State of Broadcast Networks”. First of all, I want to thank you all for the amazing feedback you gave me on Part I, and I hope you enjoy this one as much. And without further ado, let’s go into the article.
Last time we covered some basic ground talking about syndication of veteran shows, the Nielsen rating that networks expect to reach, an overview of last season’s ratings, and the state of CBS. Now we’re going to talk about two networks that have some of the most buzzed television shows, but that doesn’t necessarily translate into great ratings: FOX and ABC.
The thing with these two networks is that, over the year, both have mustered some of the biggest hits on television. ABC landed series like LOST, Dancing with the Stars, Grey’s Anatomy, The Bachelor/Bachelorette and that’s just to start. FOX landed on The Simpsons, House, American Idol and Glee. For quite a while both networks were mighty: FOX ruled as number 1 thanks to American Idol being huge almost every season, and while ABC wasn’t able to overthrown FOX (or CBS for that matter) it was always in quite a comfortable spot with its hits; even when ABC had some very low rated shows, its hits were so huge that it made up for any losses.
Over at ABC, the network was more than pleased in the 2011-2012 season with the breakout success of Once Upon a Time and Revenge; both freshman shows got good ratings (OUAT’s rating actually should be called great) and a great deal of buzz. The Middle grew, Suborgatory premiered well, Modern Family was up as well, and even Happy Endings enjoyed good ratings out of Modern Family. Wednesdays were all joy for ABC. Sundays had just one trouble: the 10PM timeslot, but hey! 2 out of 3 in a night are great! With OUAT and Desperate Housewives bringing great ratings, who cares? Or at least, that’s what I think the folks at ABC told themselves. Thursdays remained the same with Greys doing fine and Private Practice performing marginally well. Dancing with the Stars performed down, but still good. Last Man Standing did well. So almost everything looked great at ABC; some failed timeslots, some shows underperforming (Cougar Town for example, which moved to TBS), but aside from that, it was a good season for ABC. But everything changed this past season.
ABC: This season was kind of a disaster for ABC; on Mondays and Tuesdays Dancing with the Stars basically flopped; it luckily managed to hit mid 2s, while mostly delivering ratings around high 1s and low 2s. Considering this used to be one of the network’s behemoths it’s pretty sad the fall of its ratings, and that’s the reason why ABC will no longer broadcast it on Tuesdays. Castle at 10PM held its feet, but it did see a fall of 12% from the previous season (from 2.31 to 2.04), but nothing too serious; considering the show is in a 10PM timeslot, managing to be so solid is really good.
Now, Tuesdays were the true disaster: ABC bet that Dancing with the Stars would perform well and so it would lead to a healthy Happy Endings/Apt. 23 combo and the night would finish with a solid Private Practice. Sadly, this wasn’t the case: DWTS got “fine” ratings and so Happy Endings had not much to hold on to, and much less Apt. 23. Private Practice performance was so low that some people expected the show to be pulled from schedule. There was, however, a slight surprise: In midseason, Body of Proof, which started low, slowly rose to more decent ratings. But even then ABC decided that they had it with low rated Tuesdays, and so they canceled even the somewhat decent performer in order to reshape the whole night for next season.
Wednesday is another night in which ABC is probably still weeping about: after having an amazing season of Wednesday nights with their line up of The Middle/Suborgatory/Modern Family/Happy Endings and Revenge, ABC decided to shackle things a little bit, but that was a turn for the worst: the Revenge move to Sundays was understandable, still there was no reason to move Suborgatory after Modern Family (where it performed worse than last season), as the show performed surprisingly well after The Middle. Instead, The Neighbors got to follow the Hecks and while it never performed horribly, it never performed great either (thus now it goes to Fridays). The late in seasons inserts of Family Tools and How to live with your parents also failed, but in their defend we can argue the late premiere dates of both of them. Meanwhile, Nashville, at 10PM, was usually beaten up by CSI and Chicago Fire. It never achieved Revenge’s ratings. However, it was the only freshman drama that was kind of steady and delivered acceptable ratings, hence it got renewed.
I’m surprised ABC hasn’t given up on the Thursdays 8PM slot, which has caused them nothing but headaches over the years (FlashForward, Charlie’s Angels, Missing); Last Resort and Zero Hour were unable to compete with CBS’ monstrously high rated Big Bang Theory; it also didn’t help that X Factor/American Idol were there to make things worse, as both of those shows rate good. So, to patch things up, Wipe Out and Celebrity Wife Swap went there. Grey’s Anatomy kept performing amazingly (though down from the previous season), but the real breakout came from Scandal; premiering late in the 2011-2012 season, it never saw amazing ratings during its first season, but Scandal generated so much buzz over the course of its second season that people tuned in for the show. Soon a 2.0 became a 2.4, then a 2.7, and by the end of the season, an incredibly high 3.2, in a hard timeslot (10PM). So it’s no surprise that ABC chose Scandal as the show to brag about in their TCA.
Fridays were a nice breathe of air for ABC this season. Shark Tank reined as Fridays n°1 show, 20/20 ended the night with good ratings, and Last Man Standing performed surprisingly strong, usually winning its timeslot. But there are failures here; even though at first it looked mighty, Reba’s comedy Malibu Country lost momentum kind of fast, and let’s not talk about the embarrassing double shots of Happy Endings late in the season; the promotion was bad, the ratings were bad, and that’s sad. As a fan of Happy Endings I was crossing my fingers for the USA pick up, but you know how that turned out… anyway.
And now, I know many of you have been waiting for this: Sunday nights. Probably one of the most commented nights of the season for ABC.
Once Upon a Time proved to be a powerhouse on its first season and Revenge was one of the most talked about/buzzed shows, so the pairing made a lot of sense. When both shows premiered they did it to a 3.9 (for OUAT) and a 3.2 (for Revenge). Pretty nice, right? They were amazingly promoted, people tuned in and from September to November the network enjoyed nice ratings for both shows… and then January came, and so the AFC championship and the Grammys, which hurt both Once Upon a Time and Revenge quite badly. OUAT hit as low as 2.0 for the first time late in the season and Revenge hit a 1.4 against the Grammys. Soon OUAT would settle in the 2.2 range and Revenge in the 1.7, way away from their glory days when their sophomore seasons began. Now, is it all ABC’s fault? I do think ABC shouldn’t have aired episode against such a huge competition, but I can’t deny that there are many fans that complains about the writing in both Once Upon a Time and Revenge; wherever it was the writing or the schedule, we can’t be too sure, but I do think both factors combined hurt them. And 10PM performers… ABC still doesn’t find something there that can work; 666 Park Avenue didn’t make it, the bizarre Happy Endings/ Apt. 23 input was a complete failure, and Red Widow never managed to impress.
Now, let’s see the season average for the scripted shows:
Network scripted shows average:
Drama average: 1.85
Comedy average: 1.825
Network average: 1.78
State of the network: ABC was badly hurt, coming from a season that got a 2.4 average and falling into 1.8 is something that surely hurt their pride. In order to rebuild the network, ABC is hopping Agents of Shield can rebuild Tuesdays night, and that Once Upon a Time in Wonderland on Thursdays at 8PM change things around for the timeslot. They are also praying to get OUAT’s and Revenge’s momentum back. We’ll see how that goes.
Should those averages carry over next season and considering ratings alone (i.e no syndication, production costs, etc), and should ABC be willing to renew performers over 80%, these would be the bottom lines:
Bottom line for renewing a drama: 1.48
Bottom line for renewing a comedy: 1.46
Looks like NBC, doesn’t it? (Just wait for Fox). We’re not sure ABC is going that low; should their strategy work, their average will go higher, but this points out that something has to be worked out.
Moving on to Fox, when did things started to get complicated? That’s surely the 2011-2012 season:
That season FOX had a massive disappointment with X Factor, which had good ratings, but not nearly as huge as they expected. The surprise came from New Girl, which drew even bigger ratings than Glee (which performed well, but down from the previous season), but then deflated and managed to get more down to earth ratings. Terra Nova made them money, but it was so incredibly expensive that they opted to retire while they still made money. House ratings went down the toilet, Fringe which had good (or at least acceptable) ratings on Fridays on its 3rd season couldn’t follow those ratings onto the 4th and they started to lose money on it. Alcatraz flopped over time too. But what hurt them the most is this: American Idol started losing a lot of audience, constantly being beaten by CBS’ Big Bang Theory. Touch premiered huge, but even airing after American Idol didn’t avoid the rating bleeding. Things were looking bleak, but hey! They were still at the top; they managed to be the number network yet again... but that reign would end pretty soon.
FOX: If someone hurt worse than ABC this season, it’s FOX! I would dare to say this is FOX’s worst season ever.
On Mondays, the premiere of The Mob Doctor was almost a joke; many tv fans can’t understand why it aired its 13 episodes instead of being pulled out of schedule ala Lone Star. They both rated very similar, but Mob Doctor remained there. And it’s not like they didn’t have replacement: They could have put Touch there, Kitchen Nightmares, and even some people suggested putting Fringe there, as it had only one season left and so ratings really didn’t matter. But even so, FOX stuck with The Mob Doctor until The Following came around. Why? My guess is that they wanted to hold Touch for midseason (which they did), and so Kitchen Nightmares was put behind Fringe, thus leaving no possible replacement for it until The Following came. Speaking of The Following, that show calmed any ratings pains that came from Mob Doctor; it premiered to huge ratings, and it even boosted Bones, which was doing just about fine! The Bones/Following combo made their Monday pains go away.
But Tuesdays is another story; only New Girl rated well here, and for most of the season it only scored low 2s. Everything else underperformed. Raising Hope did reasonably well (for FOX standards this season) holding up to high 1s for most of the season, but freshmen Ben&Kate and The Mindy Project were disappointments. Ben&Kate went as low as 1.1 and Mindy as low as 1.3. Even in midseason, when Ben&Kate rose for a second to 1.4, it went immediately back down to 1.1 and FOX decided to pull the plug. The Mindy Project managed to raise to 1.7 just when FOX decided to do multiple pickups at the time, so Mindy was among them; sadly, after being renewed the ratings took a dive and it went back down to 1.3s.
Wednesday was all about X Factor/American Idol, and both reality shows fell really hard. X Factor went as low as 2.3, but luckily it managed to end the season with a 2.7. It suffered a 23% drop from the previous season. Then, American Idol… for the first time ever it went under 3, delivering a 2.9. The drop was of a 27%. Should the drop continue this season, we might soon see the end of what used to be one of the highest rated shows ever.
Following up to Thursdays, results shows for X Factor and American Idol rated as bad as their performance shows (bad for those shows standards, because their actual ratings were actually good). Here FOX also moans the fall Glee suffered; Glee used to be one of the flagship shows for FOX, one that performed so great on its second season (around 4s and 5s) that no one would have thought that season four ratings would be possible: Glee went under 2s four times in the past season, going as low as 1.5. The season averaged a 2.21, down 27% from the previous season (which did a 3.02). So, why a 2 season pick up? Even while Glee ratings essentially went down the toilet, they are still quite above the average of the network, so I think FOX hopes they can at least keep it for a couple of years as a wild card to say “hey! We have at least one decent performer!”.
Fridays have always been hard for FOX; they start well with Kitchen Nightmares at 8PM, but then at 9PM they haven’t found anything that works. Fringe did well enough on its 3rd season, averaging 1.5 on the timeslot that year, and even though season 4 kicked off with a 1.5, the ratings soon fell and as the show was about to reach 88 episodes many Fringe fans (including me) feared the worst. Still, it got a 5th and final season. Here I think FOX just sit back and said “we have until midseason to worry about Fridays” and just let Fringe air its final episodes. Now, in midseason, when Touch premiere started the nail biting; Touch premiered to a 1.1 and went as low as 0.5, so FOX didn’t think it twice: they cancelled the show and used the chance to call Kiefer for a new season of 24. Now, they hope Bones, Raising Hope and Enlisted can turn the night around for them… we’ll see.
There’s not much to say about Sundays; animation domination has worked really great for them. All of their animated comedies rate well, and perform even better in the 18-34 demographic, which is hard to reach. The only exception is Cleveland Show, which got to its 88 episodes for syndication and then FOX said “bye, bye”. This night might as well be the bright spot of FOX this past season alongside with the Bones/Following combo, but everything else is just a train wreck.
Network average for scripted programming:
Comedy average (not including animation or Glee): 1.7
Drama average (including Glee): 1.59
Animation average: 2.14
Network average: 1.93
Network state: If we take the animation comedies out of the equation, the network average gets as low as 1.63, which must be about half from the 2011-2012 season. But what’s even more alarming is that FOX is not doing much to change its current situation; it is moving Bones, a steady performer, to Fridays and plans to premiere two new shows on Monday, which is a bold choice to say the least, as both of them could fail in their timeslots. They keep New Girl and Mindy Project right where they are, hopping that Dads bring more viewers just because it has the Seth MacFarlane name on it. And even though X Factor and American Idol keep falling… they kept them there, almost as if they deny the past season happened. Whatever FOX is planning to do in order to surge I’m not really sure it’s going to work out. Just let cross our finger so that FOX gets out of this horrible situation, because- in my opinion- they have good programming. And should the ratings stay the same, just look at the 80% bottom line.
Bottom line for renewing a comedy: 1.36
Bottom line for renewing a drama: 1.27
Bottom line for renewing an animated comedy: 1.71
FOX really can't afford to go that low, if it does they'll need a miracle to survive. Just because they landed The Following this season doesn't mean that the show alone can carry the network, as it doesn't have huge ratings, just good ratings. Whatever FOX is thinking to do in order to rise, I can't really see it, but here's hopping they regain some momentum.
Stay tune for the final part of this article: I’ll tackle down both NBC and the CW!
Interesting, thanks!
ReplyDeleteI have felt ABC and FOX were going downhill for a while honestly, but I never realized how poorly they've been doing since I simply do not watch much on either network.
This upcoming season on ABC I have no returning shows I watch and only 1 or 2 new shows I will check out with minimal interest. On FOX there are no returning shows and 3 or 4 new sows I have mild interest in. Contrast that with CBS where I will have more than 10 new and returning shows to watch and NBC with just under 10. Hell, I could end up watching more on CW than ABC and FOX and that is just sad! XD
Yeah, ABC and FOX are in a really tough spot right now, the difference is that ABC has landed some strategies on how to fix the damage, while FOX mostly ignores the problem.
ReplyDeleteThank for your comment! Glad you liked the article!
ABC is in a better place than Fox in this upcoming season. Castle at 10PM will become a very strong performer. The Agents of Shield will make Tuesday rise. Wednesday will stay pretty much the same with Modern Family. Thursday with be the Once spinoff which looks pretty good. Only Friday is ABC's weak point.
ReplyDeleteFriday is ABC best night in relative terms.
ReplyDeleteI still say that you are being too hard on Fox for the upcoming season. Even in your own article you've acknowledged that one of Fox's main issues this year was the absence of replacement options. Well, this year they have ordered more dramas and comedies than their schedule could ever take, so that is really addressing part of the problem (particularly in the drama department, where apart from the following which runs only half a year, they were dependent on aging bones and glee) - I doubt we'll see a Mob Doctor or a Ben and Kate this year remain on the schedule for that long. I don't love their schedule, and obviously I agree with you that they are failing to recognize one of the main issues which is the fact that the talent shows are imploding and that their hours should be cut back, but it is not completely unwise to focus on rebuilding drama (and strengthen comedy) this year and deal with the reality collapse next year (especially because if drama rebuilding works, they are in a better position to let go of reality hours). I wouldn't do it that way, but I don't think it is that crazy either
ReplyDeleteAnother point: in my opinion, as I have explained in detail in my other post, ABC is also failing (perhaps in an even greater extent) to recognize its issues. Yeah, cutting back the results show from DWTS was a step in the right direction, but keeping DWTS against the voice and the sunday dramas on sunday is, in my opinion, far worse than fox not reducing their reality hours. While even The X-Factor (not to mention Idol) can still win timeslots, DWTS was often forth on mondays in spring, beaten by the voice (duh), the weakened cbs comedies and the bones/following combo. That is not respectable at all and should require more attention than the x-factor/idol. Just my two cents ;)
ReplyDeleteI couldn't agree with you more about the trouble with Sunday dramas; in fact, in the article I outright say that ABC is practically hopping for both dramas to regain the momentum they lost. I think Grey's should have moved to 8PM, then Scandal at 9PM and then end with Revenge at 10, as Grey's is at least going to do about 2s in that timeslot, Scandal would continue to impress and Revenge would benefit from airing with a really compatible show. Then, on Sundays, I think I would have left OUAT there, but I would have put something more compatible with it next.
ReplyDeleteAs for FOX; yeah, they replacement, they ordered many dramas and they are betting that they will work. It's not an entirely crazy schedule, but it's not looking promising either. Should Almost Human/Sleppy Hollow fail, they'll have a huge hole in Monday nights up until The Following shows up. Even though both shows are highly anticipated, it's not really good to count on that alone to launch the night, because unlike Agents of Shields (which will surely premiere huge as Marvel has way too many fans out there), there's no guarantee that these shows will. Moving on to Tuesdays, bringing two new comedies at 8PM doesn't make much sense after this season fiasco; New Girl rates ok, but it can't really anchor the night.
With X Factor and Idol dropping every season and Friday being usually a hot mess for them, that's why their schedule doesn't make sense to me. I think it's a bad strategy, not necessarily crazy, but bad anyway
You make some very interesting points there! I also think DWTS would work on Sundays. In theory, OUAT/Revenge/666 Park Avenue were good counter programming to animation, footbal, and procedurials, but the schedule really killed them. So DWTS could manage to perform well there and I always thought Nashville would be a fit for the troublesome 10 PM timeslot, besides both shows are compatible.
ReplyDeleteABC surely ruined Tuesdays, and I think your proposal could've work (or at least work better than this season). Tuesdays were the night were comedies went to die last season: it was so overflowed with comedies (New Girl/Mindy Project, Go On/New Normal, Happy Endings/Apt. 23) that it's not surprising that the only showed that really worked there was NCSI: LA. Instead of offering a wide variaty of options, networks just overlapped and every single comedy ended up hurting in the ratings or getting cancelled. Not the wisest choice.
ABC is taking right steps in the schedule for next season (the whole thing of airing 11 episodes at a time for dramas like OUAT and Revenge might help them improve in their timeslot), but they still have some kinks to work out
Regarding ABC, I don't necessarily hate your idea for Thursday and I too have toyed with the idea of Grey's at 8. However, I am pretty happy with the Wonderland spin off there. I think it resembles the OUAT/DH block that worked so ell on Sundays last year and that it could do well. In any case, my guess to address that timeslot would actually be different, it would be to use a low stakes procedural in there that is properly executed, it is what strikes to me as being the best counterprogramming, but Wonderland may also work. In any way, my main argument to not mess with Thursdays is that ABC had 3 days of the week that were working in Friday, Wednesday and Thursday (albeit with some problematic slot in each day, but that is more up to new shows to solve than anything else IMO), while they have three days that were not working in Sunday, Monday and Tuesday (with the exception of Castle and I guess OUAT in relative terms). So, if we assume that they needed to make changes to fix Sunday, Monday and Tuesday, then messing up with Tuesday as well would be way too many moves, which is why I was against it. I would mix it up in Monday/Tuesday/Sunday. Something like this:
ReplyDeleteSunday:
The Bachelor/ Reality Filler/ DWTS
The Bachelor/ Reality Filler/ DWTS
Betrayal/ Reality Filler/ BoP (I would have renewed it and paired with DWTS)
Monday:
OUAT
OUAT in Wonderland (or Big Thunder if this one was to be kept Thursdays)
Castle
Tuesday:
Shield
Trophy Wife/ The Goldbergs
Revenge
As for FOX:
- yes, the talent shows are dropping a lot and I agree with you that they should be addressed. However, they are not on DWTS state yet! They are still very much ratings winners in their timeslots, so it is not unwise to wait another year to address it, especially with basically everything else needing addressing
- as for Mondays, I don't think they are completely empty on Mondays if they flop. If Sleepy Hollow doesn't deliver in its first 4 episodes, Bones will simply remain there and be paired with Almost Human. Almost Human in turn doesn't debut until November I think, so even if it flops they will only endure a bit more than 1 month (like 6 eps or something) of floppy ratings as they have baseball in between. The Following is then back on January to be paired with Bones and all would be good.
- I agree with the crazy insistence on Tuesday comedies. I think we would need to see 18-34 breakdowns to understand that, I think that is where their comedies thrive.
I agree 100% with everything you've said, nothing to add ;) BTW, thank you for taking the time to read and answer to my lengthy posts, greatly appreciate it!
ReplyDeleteYou're most welcome! Thank you for taking time to read my articles :D
ReplyDeleteI was talking mostly about how New shows and current performers will help out ABC.
ReplyDeleteGreat article! I usually don't get how ratings work so thank you for breaking it down. That's why a doubt has stuck with me for a long time, what was the situation that led to Lie to Me being cancelled? I would really apreciate the information.
ReplyDeleteLie to Me ratings were not really bad, although not great either: The thing is that they picked up The X Factor, which meant that Wednesdays and Thursdays night would be filled all season with either X Factor or Idol, so they couldn't renew many shows. Fringe got renewed because of syndication factor and because it did ok in Fridays, while Lie to Me was borderline in its timeslot, and so was The Chicago Code, thus both axed. FOX kept Glee, House, Bones, Raising Hope and Fringe that season, leaving room for X Factor, Terra Nova and New Girl; anything else just had to go.
ReplyDeleteTank you very much! It's sad thoug, I loved that show
ReplyDeletePersonally, American TV currently hasn't to offer a lot which interests me. Well, I don't like comedy series and am not interested in shows and reality formats, so there are only the dramas and the occasional dramedy left. But too many Networks are either relaying too much on old shows, beating a death horse in the process, or (especially in the case of CBS) repeating the same format again and again. Or they are in some sort of existence crisis, because they try to define themselves new (USA Network, I'm looking at you!). I currently have not one single show to watch aside from Suits (which I only watch in the hope that it finds back its footing), because every single show I'm interested in wont air it's next season towards the end of October. The only announced show which looks somewhat interesting is Dracula and perhaps About a boy (if the show is only half as good as the movie, it might be worth my time) which are strangely both in NBC's line-up (and I didn't even like NBC's so called successful shows). British TV on the other hand has a whole list of new planned show which sound really good. They currently have a trend to re-examine "the classics" for good ideas.
ReplyDelete