Q: There are two main set-pieces this season: the prison and Woodbury. Which most excites you as a cinematographer?
A: I guess you could say the prison. As a cinematographer and just by nature, it means you've got very strong graphics there. Last year, we had Randall tied up in the shed, and it was just this very sharp, angular, graphic, black-and-white lighting, and I kind of saw what the prison was going to look like, so I was looking forward to it.
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